My commonplace book: April 2016

commonplace book
a notebook in which quotations, poems, remarks, etc, that catch the owner’s attention are entered

Collins English Dictionary


A summary of this month’s reading, in words and pictures.


“I want something to happen,” she said vaguely. “I want things happening all the time…”

“Then make them happen. Why not?”

“You don’t know my Uncle Arn,” said Cluny sombrely. “The minute anything happens, he stops it. I dare say it’s on account of being a plumber. The way he goes on, I might be a burst pipe.”

Cluny Brown by Margery Sharp (1944)


Bust of Cicero

“Yes!” she cried with passion. “Yes! Absolutely! Haven’t you suffered enough for your opposition to Caesar? Is there another man in the world who has endured more? Why not let others take up the fight? Surely you’ve earned the right to some peace at last?” Then quietly she added, “I am sure that I have”.

Dictator by Robert Harris (2015)


And yet he was fond of quoting, and at times his language was almost biblical. Beyond, however, certain expressions that he loved, and a number of short sentences that he found means to make his own, he remembered nothing of the pages which had been read to him so often, and he always listened to them again with the same emotion as at first. It was a veritable pleasure to watch the effect of beautiful poetry on this powerful intellect.

Mauprat by George Sand (1837)


When I looked down I saw a pair of lady’s flintlock pistols nestled in an open velvet case – polished steel with mother-of-pearl handles. My breath caught in my throat. So these must be what my mistress used in her night-time raids. They were finely chiselled and engraved, quite beautiful. And probably deadly, I thought.

Shadow on the Highway by Deborah Swift (2014)


Eyam Church

He turned his tired eyes to the side cupboard on which stood a large hour-glass and watched, as if fascinated, the sands running through. And his faith wavered and almost sank as he thought of the death scattered abroad, and how any minute there might be a knock at the door and he be summoned to yet another who was stricken.

God and the Wedding Dress by Marjorie Bowen (1938)


The children went away and the painter sat listening with his eyes shut until the chiming of their voices had become an indistinguishable part of the music of the wood. The drawing of the one music into the other had been beautiful, as lovely as the fading of prismatic colours into the light, or of the morning star into the blue of day. It is when loveliness withdraws itself that one’s heart goes after it.

The White Witch by Elizabeth Goudge (1958)


Jane Eyre insists, Human beings never enjoy complete happiness in this world, and I agree with her — but as Mrs Grizzlehurst slowly swelled with child, I thought what a lucky chance it was that humans do not often suffer complete unhappiness either.

Jane Steele by Lyndsay Faye (2016)


She looked very happy. Yet it struck Mary that it was strange to hear that the first thought of a newly-betrothed maiden was how to brace herself in endurance. She wondered, however, whether it was not a more truly happy and safe frame than that of most girls, looking forward to a life of unclouded happiness, such as could never be realized. At least, so it struck Mary, though she owned to herself that her experience of lovers was limited.

The Heir of Redclyffe by Charlotte M. Yonge (1853) – Review to follow


Rupert of the Rhine

Above all, it is the range of his experiences that is most startling. It is hard to believe that one man packed so much into a single lifetime.

Prince Rupert: The Last Cavalier by Charles Spencer (2007) – Review to follow


Favourite books this month: Dictator and The White Witch

Jane Steele by Lyndsay Faye

Having enjoyed Lyndsay Faye’s Timothy Wilde trilogy, I was both intrigued and dubious when I heard that her new novel, Jane Steele, was going to be a retelling of Jane Eyre. I always have doubts about books that are based on or inspired by classic novels and usually try to avoid them, but because I loved Faye’s other work so much I was happy to give this book a try.

Jane Steele Once I started to read, I quickly discovered that Jane Steele is not so much a retelling of Jane Eyre as a homage or tribute to Jane Eyre. Jane Steele herself is a fan of the Charlotte Brontë classic, which she reads over and over again, and she can’t help noticing that there are some unmistakable parallels between her own life and Jane Eyre’s.

Like the Brontë heroine, Jane Steele has an unhappy childhood. She and her widowed mother live in a cottage in the grounds of Highgate House, the home of her late father’s family. When her mother dies a sudden and unexpected death, Jane finds herself at the mercy of her cold-hearted Aunt Patience and vile Cousin Edwin, but unlike Jane Eyre she takes drastic measures to defend herself against them. I won’t go into too much detail, but the words “Reader, I murdered him” on the front cover should be a clue!

Sent away to Lowan Bridge School, Jane’s life again seems to be following the same pattern as Jane Eyre’s. Lowan Bridge is a harsh and forbidding place, presided over by the tyrannical Vesalius Munt, and the only positive thing Jane takes away from her time there is a close friendship with a younger girl known as Clarke. Forced to resort to murder again – not just once but several times, though always to protect herself and her friends – Jane eventually has the chance to return to Highgate House as governess to Sahjara, the young ward of the house’s new master, Mr Thornfield.

As Jane settles into her new position – and begins to search for evidence that will prove she is really the rightful heir of Highgate House – she gets to know the new inhabitants of her childhood home. Mr Thornfield has recently returned from the Punjab and all of his servants are Sikhs, including the butler Sardar Singh, whom Jane suspects of not being all he appears to be. Mr Thornfield himself, as you’ve probably guessed, takes the role of Jane Eyre’s Mr Rochester, but before Jane Steele can allow herself to love him, she wants to know how he will react to the revelation that his new governess is actually a serial killer…

You may be thinking that I’ve given away the entire story here, but I can promise you that there’s still a lot I haven’t told you. More than half of the novel is devoted to the time following Jane’s return to Highgate House, the development of her romance with Mr Thornfield (a more instantly likeable character than Mr Rochester, by the way), and an intricate mystery involving stolen jewels, of which I’ll say no more other than that it felt like something Wilkie Collins might have written.

I liked Jane Steele but I can’t say that I loved it as unreservedly as most other readers seem to have done. The first half of the book was great – Jane has a very distinctive, darkly funny narrative voice and it was fun to spot the echoes of Jane Eyre in the childhood and school chapters. I also enjoyed reading about Jane’s adventures in London (before starting her governess job) and the Dickensian characters she meets there, such as Mr Grizzlehurst, publisher of the “Daily Report of Mayhem and Mischief”.

The second half of the novel felt quite different from the first, with the focus on the stolen treasure and the history surrounding the Anglo-Sikh Wars. I have read a lot of historical mysteries set in the Victorian period, as well as a lot of Victorian sensation novels, and I just didn’t feel that I was reading anything new here (apart from the details of Sikh culture, which were interesting to read about). It didn’t help that this part of the story includes a lot of long accounts of past events and people we previously knew nothing about. I found it difficult to care about this new set of characters and just wanted to get back to reading about Jane and her life.

This is only a small criticism, though, of what was otherwise a very enjoyable novel and I do love the fact that Lyndsay Faye avoided writing a simple retelling and instead came up with something so brave and imaginative. I would personally have preferred another Timothy Wilde mystery, but having written three of those books I can understand why Faye might have wanted to write something else, and I think Jane Steele will have wider appeal. Reader, you’ll probably love it.

Thanks to Headline for providing a copy of Jane Steele for review.

Dictator by Robert Harris

Dictator This is the third and final volume of Robert Harris’s fictional biography of Marcus Tullius Cicero, the Roman philosopher, lawyer and statesman. I loved the previous two novels, Imperium and Lustrum, so you won’t be surprised to hear that I loved Dictator too. Until recently, I didn’t have much interest in Ancient Rome and would never have thought that I could find reading about the intricacies of Roman politics so exciting and fascinating. How wrong I was! In fact, the only negative thing I can say about this trilogy is that it has now come to an end.

Dictator covers the last fifteen years of Cicero’s life, though as the title suggests, the focus of the book is on the rise and fall of Julius Caesar. At the beginning of the novel, Cicero has been forced into exile by his enemy, Publius Clodius Pulcher, and with the triumvirate of Caesar, Pompey and Crassus now governing Rome it seems unlikely that he will be able to return. Loyalties and allegiances change quickly in the Roman Republic, however, and eventually it does become possible for Cicero to come home, to be reunited with his family and to return to politics and the senate.

As he tries to settle back into his old life in Rome, Cicero discovers that it is not the same city he left just a year before and when the tensions between Caesar and Pompey lead to civil war, he knows he is witnessing the destruction of the republic. With the assassination of Caesar after several years of dictatorship comes the sense that Rome is entering a new era, but Cicero will face further challenges with the rise to power of the dictator’s adopted son, Octavian (the future Emperor Augustus, founder of the Roman Empire).

As Dictator is the book which brings the trilogy to a close, there’s a sadness which wasn’t present in the first two books, with the deaths of several major characters and the collapse of the Roman Republic. It’s also sad to see Cicero’s relationship with his wife, Terentia, deteriorate beyond repair. It was never a very happy marriage, but now Cicero acknowledges that Terentia has had enough:

“Only at that moment did I realise how much she must have suffered, living in Caesar’s Rome and being married to me. I cannot say I felt love for her any more, but I did feel great pity and affection and sadness, and I resolved there and then to make no mention of money or property – it was all done with, as far as I was concerned.”

Like the first two novels, this book is narrated by Tiro, Cicero’s slave and secretary, a man who really did exist and who is credited with inventing an early form of shorthand. After Cicero’s death, Tiro published his master’s letters and collected works, and is thought to have also written a biography of Cicero which was lost during the fall of Rome. Tiro’s role in this trilogy is primarily to tell Cicero’s story, recording his words and actions and making observations on his master’s character and the characters of Rome’s other leading figures. Here he describes meeting Julius Caesar:

“How unreal it felt to watch the approach of this titan who had so dominated everyone’s thoughts for so many years – who had conquered countries and upended lives and sent thousands of soldiers marching hither and thither, and had smashed the ancient republic to fragments as if it were nothing more substantial than a chipped antique vase that had gone out of fashion – to watch him, and to find him, in the end…just an ordinary breathing mortal!”

Over the course of the three novels we see how Cicero comes to rely on Tiro not just as a servant but also as a friend – one of the only people in the world he knows he can truly trust. Tiro’s admiration and affection for Cicero also come across strongly but this doesn’t mean he is unable to see Cicero’s faults. Through Tiro’s eyes, Cicero is portrayed as a brilliant yet flawed man, his wisdom, talent and generosity offset by vanity and self-importance. He is sometimes too quick to speak before he thinks, particularly when he is unable to resist making a joke at someone else’s expense, and this often has serious consequences. I enjoyed getting to know Cicero, with all his faults, and was sorry to come to the end of his story.

Imperium, Lustrum and Dictator are three wonderful books – well-written, well-researched and with a feeling of authenticity. Highly recommended, but try to read them in order if possible. I’m now looking forward to returning to the Roman Empire with an earlier Robert Harris novel, Pompeii.

Elizabeth Goudge Day: The White Witch

The White Witch A year ago I read The Child from the Sea as part of Lory of The Emerald City Book Review’s birthday celebrations for Elizabeth Goudge. This year, Lory is hosting another day devoted to the same author and this seemed like a good time to read my second book by Goudge. There were plenty to choose from – some historical and some contemporary, some for adults and some for children – but I decided on The White Witch. I loved The Child from the Sea, which was set in the seventeenth century and told the story of Lucy Walters, a mistress of Charles II, so as The White Witch is set in the same period the chances were good that I would love this book too – and I did.

The English Civil War forms the historical backdrop to the story, but the focus of the novel is on the inhabitants of a small Oxfordshire village and the ways in which their lives are touched by the greater changes taking place in the country as a whole. The ‘white witch’ of the title is Froniga, a healer and herbalist who has family ties with both the Puritan household of Robert Haslewood, the village squire, and with the band of Romany gypsies who camp nearby. Caught between both of these worlds while fully belonging to neither, Froniga is the character around whom all the others revolve.

Froniga is a fascinating character, but there were others whose stories interested me too, particularly Francis Leyland, the secretive stranger who offers to paint a portrait of Haslewood’s two young children, and the mysterious Yoben, who is in love with Froniga. There’s a ‘black witch’ too – and a parson who tries to save her soul – and a vengeful gypsy woman who causes trouble wherever she goes. Whether Parliamentarian or Royalist, Puritan or Catholic, nobleman or gypsy, in the hands of Elizabeth Goudge each of these characters becomes a well-rounded, believable human being – a person we can sympathise with even if we don’t necessarily agree with their views or their choices.

In this novel, the conflicts that take place in an individual’s heart or soul are as important as those which take place on the battlefield, though we do get to see some military action as several of our characters become involved in the major battles and events of the Civil War. But what I loved most about this book were the details of daily village life in the seventeenth century, the beautiful descriptions of the English countryside, and the undercurrents of magic, mystery and mythology which run throughout the story.

The White Witch, although never boring, has a slow pace and – as it was originally published in 1958 – it is written in a style which may not appeal to readers who prefer more modern historical novels and as with The Child from the Sea, there are strong religious and spiritual elements. I love Goudge’s writing style, though; it’s warm and gentle and comforting. I’m looking forward to working through the rest of her novels…and would like to thank Lory for introducing me to her work!

A Place Called Winter by Patrick Gale

A Place Called Winter There really is a place called Winter; it’s in Saskatchewan, Canada, and at the time when Patrick Gale’s novel is set, it’s a small, newly-established settlement just off the Grand Trunk Pacific Railway. Winter is home to the fictional Harry Cane, a character based on the author’s own great-grandfather, but how did such a quiet, gentle and seemingly conventional Englishman end up in so harsh and remote a place? A Place Called Winter is Harry’s story, explaining exactly what the circumstances were which brought him to Canada, and what happened to him after he arrived there.

At the beginning of the novel, Harry is a shy, stammering young man living in Edwardian London. Doing what is expected of him, he gets married, and although he has no real love or passion for his wife, it’s not an unhappy marriage and they have a child together. Things start to go wrong for Harry when he falls in love with a man and is forced to leave the country to escape the resulting scandal. Given the opportunity to farm some land in Canada, Harry begins to build a new life for himself alone in a place called Winter.

Harry’s experiences in Canada are a mixture of good and bad. The challenging environment in which he finds himself requires skills he doesn’t possess and must learn quickly if he is to survive in the wilderness. With the help of some new friends, Harry starts to grow in strength and knowledge, but not everyone he meets is quite so pleasant and the behaviour of the villainous Troels Munck poses an obstacle which must be overcome before he has a chance of finding true happiness.

I found this a very moving and poignant novel, as well as a beautifully written one. I couldn’t help comparing it to Damon Galgut’s Arctic Summer which I had read just a few weeks earlier. The two books have some similar themes, most notably a man trying to come to terms with his sexuality within the confines of early 20th century society, but I thought this novel had a warmth which the other lacked; Gale really engaged my emotions and made me care about his characters in a way that Galgut didn’t.

A Place Called Winter is my first book read from this year’s Walter Scott Prize shortlist and I hope the others on the list will be as good as this one. I haven’t read any of Patrick Gale’s other novels and I understand that he doesn’t usually write historical fiction, but I was very impressed with his writing and would be interested in trying more of his work.

Top Ten Tuesday: Books to make you laugh (or at least smile)

Top Ten Tuesday

I wasn’t going to take part in this week’s Top Ten Tuesday (hosted by The Broke and the Bookish) because I didn’t think I read enough funny books to be able to make a list…but when I stopped to give it some thought, I actually didn’t have a problem coming up with ten titles.

I have concentrated here on books which were specifically written to be funny or which contain lots of amusing scenes, rather than just one or two funny moments (the list would have been far too long in that case). Let me know if you’ve read any of these or if you can think of any more.

Three Men in a Boat

1. Three Men in a Boat by Jerome K. Jerome – This tale of three friends (and dog) who take a disastrous boat trip along the River Thames had to be top of my list!

Three Men on the Bummel

2. Three Men on the Bummel by Jerome K. Jerome – Our old friends, J, Harris and George get together again for a tour of Germany in this sequel to Three Men in a Boat.

Jeeves and the Feudal Spirit

3. Jeeves and the Feudal Spirit by P.G. Wodehouse – I could have included other Wodehouse books here too, but this Jeeves and Wooster novel is the only one I have reviewed on my blog.

Cold Comfort Farm

4. Cold Comfort Farm by Stella Gibbons – I didn’t find this parody of the British rural novel quite as funny as other people have but it still deserves to be included here.

The Convenient Marriage

5. The Convenient Marriage by Georgette Heyer – Many of Heyer’s novels feature a bit of comedy and some witty dialogue, but this is one I remember being particularly funny.

The Canterville Ghost

6. The Canterville Ghost by Oscar Wilde – This light and entertaining satire is possibly the least ghostly ghost story I’ve ever read!

The Adventures of Alianore Audley

7. The Adventures of Alianore Audley by Brian Wainwright – Some knowledge of the Wars of the Roses might be needed to fully appreciate this tale of a 15th century Yorkist spy.

Don Quixote - Edith Grossman

8. Don Quixote by Miguel de Cervantes – Who would have thought such an old book could be so funny? The humour doesn’t always work but when it does it’s hilarious.

The Uncommon Reader

9. The Uncommon Reader by Alan Bennett – A lovely, witty novel about the Queen’s love of reading.

The Idle Thoughts of an Idle Fellow

10. The Idle Thoughts of an Idle Fellow by Jerome K. Jerome – Yes, it’s another book by Jerome. This collection of essays is not as funny as the Three Men books, but will still make you smile.


Have you read any funny books recently? What would be on your list?

Mauprat by George Sand

Mauprat When I was looking for suggestions for books to read for the Women’s Classic Literature Event, Camille de Fleurville suggested the French author George Sand (a pseudonym of Amantine Lucile Aurore Dupin) and pointed me in the direction of her 1837 novel, Mauprat. Having never read George Sand before, I had no idea what her books would be like, but whatever I was expecting, it wasn’t this!

The novel begins with a description of Roche-Mauprat, an abandoned château in the French countryside, once home to Bernard Mauprat, an orphan raised by his wicked grandfather and violent, brutal uncles:

On the borders of La Marche and Berry, in the district known as Varenne, which is naught but a vast moor studded with forests of oak and chestnut, and in the most thickly wooded and wildest part of the country, may be found, crouching within a ravine, a little ruined château. The dilapidated turrets would not catch your eye until you were about a hundred yards from the principal portcullis. The venerable trees around and the scattered rocks above bury it in everlasting obscurity; and you would experience the greatest difficulty, even in broad daylight, in crossing the deserted path leading to it, without stumbling against the gnarled trunks and rubbish that bar every step. The name given to this dark ravine and gloomy castle is Roche-Mauprat.

Mauprat is set in the eighteenth century, in the years leading up to the French Revolution, and in Varenne an ancient feudal system is still in place with the peasants living in fear of the powerful Mauprat family, who rule over them with tyranny and corruption. One night Bernard’s uncles take a young girl captive in the woods and bring her back to Roche-Mauprat. Her name is Edmée and she is a cousin of Bernard’s belonging to another, more civilised branch of the family. Instantly attracted to his beautiful cousin, Bernard helps her to escape, but not before making her promise to marry him in return.

Unfortunately for Bernard, he didn’t specify exactly when Edmée will have to marry him. Once she is free of Roche-Mauprat, she insists that she cannot possibly become Bernard’s wife until he proves himself worthy. And so Bernard begins a seven-year struggle to gain an education and transform himself into the sort of respectable, well-mannered man Edmée is happy to love. How much of a man’s character is due to heredity and how much to the way he has been brought up? In Mauprat, we see that even a man who has had the roughest of upbringings has the opportunity to change through love, guidance and his own desire to improve.

The novel is narrated by a much older Bernard, who is entertaining some visitors with the story of his life, but apart from the first chapter, the book is structured as a straightforward first person narrative. We are with Bernard through every step of his journey, from his flawed younger self – rough, impulsive, passionate and uneducated – to the more refined, cultured man he becomes after being shaped by Edmée’s influence. Along the way Bernard encounters several other men – from the reclusive philosopher Patience and the mole-catcher Marcasse to the Abbé Aubert and the American soldier, Arthur – all of whom provide help and advice and teach him some important lessons.

We see Edmée only through Bernard’s eyes and this makes it difficult to understand her motives. I had a lot of questions about Edmée as I read. Why was she determined to keep Bernard waiting for so many years? Did she truly love him – and if so, at what point did she begin to love him? And if you love someone, shouldn’t you be prepared to accept them for what they are? Some of these questions are answered, to some extent, by the end of the book but Edmée still intrigued and frustrated me.

Mauprat is also interesting from an historical perspective. Bernard spends some time in America fighting in the Revolution (this is where he meets Arthur, the soldier and natural scientist who becomes his friend and helps to continue his education), while France is also on the brink of revolution and society is already beginning to change:

The poor have suffered enough; they will turn upon the rich, and their castles will fail and their lands be carved up. I shall not see it; but you will. There will be ten cottages in the place of this park, and ten families will live on its revenue. There will no longer be servants or masters, or villein or lord.

As I’ve mentioned, Mauprat wasn’t quite what I’d expected (the Gothic atmosphere and the amount of melodrama surprised me) and I don’t know whether it’s typical of George Sand’s novels, but I did enjoy it. Sand herself sounds like a fascinating woman too. I would like to read more of her books, so any recommendations are welcome.

Finally, I should point out that I didn’t read the edition pictured above, but it was the only decent cover image I could find. I read the free version available through Project Gutenberg, translated by Stanley Young.