The Infernal World of Branwell Brontë by Daphne du Maurier

The Infernal World of Branwell Bronte I’ve been interested in reading this book since I read Daphne by Justine Picardie in 2011. In Daphne, among other storylines, the fictional du Maurier is researching a biography of Branwell Brontë, hoping to find evidence of his talent and the possibility that he may have contributed to his sisters’ famous novels. This book, The Infernal World of Branwell Brontë, published in 1960, is the result of that research.

Even without reading Justine Picardie’s novel, I would have known du Maurier was a fan of the Brontës as their influence is obvious in some of Daphne’s own novels, particularly Rebecca and Jamaica Inn. I can understand why she may have been fascinated by Branwell, whom she probably saw as a tragic and misunderstood figure. His story is certainly quite a sad one, though a lot of his problems were self-inflicted. As the only boy in a family of girls his father had high hopes for him (to the Victorians it was probably unthinkable that a brother would be outshone by three of his sisters, but with the Brontës that was exactly what happened) and du Maurier suggests that this put him under a lot of pressure to succeed.

As a child, Branwell, like Charlotte, Emily and Anne, was bright and imaginative. He and Charlotte worked together on a set of stories set in the imaginary world of Angria, while Anne and Emily created the fictional land of Gondal. His future seemed full of promise, but as he grew older everything he did seemed to end unhappily. Unlike his sisters he was not sent to school (possibly because his father thought he was too sensitive) and plans for him to study painting at the Royal Academy never came to anything. He tried repeatedly to have some of his poems accepted by Blackwood’s Magazine and was ignored every time; du Maurier tells us that he even wrote to William Wordsworth but didn’t receive a reply. After being dismissed from his job as a clerk at the railway station and then his next job as a tutor (where he possibly had an affair with his employer’s wife), he descended into alcohol and opium addictions and died in 1848 aged thirty-one.

This doesn’t feel like a particularly academic biography and I’m sure there will be more up to date information about Branwell that has come to light since 1960, so I can’t really comment on its accuracy. Du Maurier was a novelist first and foremost and I get the impression her main concern was to capture the essence of Branwell’s character and explore the reasons why he failed where his sisters succeeded and why all his hopes and dreams came to nothing. She also spends a lot of time discussing and analysing Branwell’s work. I was surprised that so many examples of his writing have survived – a lot of his poems are included in this book and some of his prose and letters.

Du Maurier clearly has a lot of sympathy for Branwell, which is not surprising as she has obviously set out to try to restore his reputation and help him gain the recognition he never had during his lifetime. I always think it helps when you can tell that a biographer is genuinely interested in the person he or she is writing about! However, even with du Maurier’s enthusiasm for her subject she never tries to claim that Branwell’s writing was something it wasn’t and she comes to the conclusion that although he did have some talent, his poems were nothing special. His biggest contribution to the literary world may have been the influence he had on the writing of his three sisters.

Daphne du Maurier is one of my favourite authors, but this is the first of her non-fiction books I have read. Since I also love all three Brontë sisters (Wuthering Heights and Jane Eyre are two of my favourite Victorian novels with The Tenant of Wildfell Hall not far behind) this seemed a good choice to begin with. I did find it interesting and the style of the writing is not too different from du Maurier’s novels. I’m not sure how much appeal it would have to people who don’t share my interest in both du Maurier and the Brontës, but for those of you who do want to know more about Branwell and the other Brontës, I definitely think it’s worth reading. I would also highly recommend Jude Morgan’s novel The Taste of Sorrow – it’s a fictional account of the Brontë family (including Branwell and the two older sisters who died as children) but it sticks very closely to the known facts.

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9 thoughts on “The Infernal World of Branwell Brontë by Daphne du Maurier”

  1. I very much want to read this one. Also, I own The Taste of Sorrow and had forgotten about it until now! I might have to read it soon. 🙂

    1. Oh, The Taste of Sorrow is a great book! I also enjoyed two of Jude Morgan’s other books, Passion and The Secret Life of William Shakespeare.

  2. It sounds interesting. Du Maurier is one of my favorite author and I am going through all her books and wanted to read as well “myself when young” and other autobiography she wrote.

    1. I’m looking forward to reading Myself When Young too. I would like to read all of du Maurier’s books eventually, fiction and non-fiction.

  3. I’ve always been fascinated by the Bronte family. When I read Gaskell’s The Life of Charlotte Bronte, I had the feeling that there was much more going on beneath the surface that Gaskell couldn’t, or wouldn’t, get into, especially regarding the family’s “Irishness” and the enigma of Branwell. I’ve never gotten around to further investigations with more modern biographies, but Du Maurier’s book sounds like a great place to start.

    1. I haven’t read the Elizabeth Gaskell book but I can imagine she must have been very constrained by Victorian sensibilities and the fact that she had been a friend of Charlotte’s. I’d still like to read it at some point, though.

  4. Elizabeth Gaskell book is good for the writing of course and to show what was Bronte Gospel for 150 years. She had quite an agenda however. She was a novelist first and foremost as well…and even Mrs G worried she would not be able to tell it straight, …with good reason as she indeed allowed herself to whip up various points over the top . She was threaded with law suits if she didn’t tone some things down…which she meekly did in the 2nd edition

    The only maligned person who did not take Mrs G to task was Patrick Bronte, even though she had blacked his name with those ridiculous stories The funny part was Ellen Nussey, Charlotte’s best friend , suggested the idea of the book to Patrick as a means to counter those stories which had appeared in an unsigned magazine article shortly after CB’s death

    When the Mrs. G’s book came out later , there, almost word for word, were the same stories. It seems Mrs. G had written the article her book was suppose to answer. Yet Patrick Bronte always deafened her. When he was asked why didn’t he defend himself, he would say.” Novelists must be allowed their stories”

    It was only with Juliet Barker’s book, The Bronte’s in the 1990’s when he got an even break . Barker read deeply into the source material such as newspapers of the time etc. and Papa comes out alot better than at Mrs Gaskell hands.

    It has to be remembered Mrs G was interested in wiping away the Irish part from Charlotte and that Gaskell was a Unitarian , while Rev. Bronte was Church of England … that was important stuff back then .

    Barker had an agenda as well. She loves Branwell and can’t stand Charlotte. If someone wants to know about the Brontes it pays to read a number of books and Lord knows there are quite a few

    1. Thanks for that information. I’m interested in reading both the Gaskell and Barker books on the Brontes. I think a lot of biographers do seem to have their own agenda and it’s important to read as many different opinions as we can so that we can build up a more balanced picture.

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