Two books by Marjorie Bowen…or should that be Joseph Shearing?

marjorie_bowenMargaret Gabrielle Vere Campbell Long (1885-1952) was a British author who wrote many different types of book – ranging from crime and horror to historical fiction and biography – under several different pseudonyms, the most popular being Marjorie Bowen. In December, in an attempt to get up to date with my NetGalley review copies, I read two of her recently reissued books which were originally published under the name Joseph Shearing. Apparently the true identity of Joseph Shearing was unknown for a long time and there was speculation that it might have been another female author, F Tennyson Jesse. The Shearing novels, which it seems were usually inspired by true crimes, do have a different feel from Bowen’s straightforward historical novels (I’ve read a few of those over the last year or so) and I can see why readers at the time might not have made the connection.

nights-dark-secretsNight’s Dark Secrets (first published in 1936 as The Golden Violet, The Story of a Lady Novelist) was the first of the two books that I read. The novel opens with the marriage of Angel Cowley, an author of romance novels, to Thomas Thicknesse, the owner of a sugar plantation in Jamaica. Angel has been busy preparing her latest novel, The Golden Violet, for serialisation in a magazine, but this has to be postponed when Thomas insists that the newly married couple leave England and return to his plantation, Venables Penn.

As soon as they arrive in Jamaica, Angel discovers her husband’s true nature and begins to wonder whether she has made a terrible mistake. Struggling to adapt to life in an unfamiliar country, with a husband she can’t trust and barely sees, and with trouble brewing in the island’s slave community, Angel turns to her neighbour, John Gordon, for the love and friendship she longs for. But is John really all he appears to be or is he also hiding secrets?

Night’s Dark Secrets could have been a great book. The descriptions of the island are wonderful and the historical setting – around the time slavery was abolished in Jamaica in the early 19th century – is an interesting one. However, the level of racism, even for a book from the 1930s, made me feel quite uncomfortable. I’m aware, of course, that it wasn’t necessarily Marjorie Bowen who was racist, but rather the characters, and that the way Angel and other Europeans reacted to the sight of the black slaves on the island would have been consistent with the reactions of many white women who had never seen or spoken to someone with a different skin colour before. Still, Angel’s sheer nastiness, in addition to her general silliness, made it impossible for me to have any sympathy with her situation.

forget-me-notHaving said all of that, I did still find the story itself compelling and kept reading to the end. And I was happy to go on to try a second Shearing novel, Forget-Me-Not. This novel, published in 1932, also appeared under the title The Strange Case of Lucile Clery, and Bowen claimed it was based on true events which led to the downfall of Louis Philippe I, King of the French, in the revolution of 1848.

The novel is set in France and follows the story of Lucille Debelleyme, a young woman who takes a position as governess in an aristocratic Parisian household. Lucille has never lasted long in any job, but she’s determined that this time things will be different. Unfortunately, although she quickly wins over her new employer, the Duc du Boccage, she is less successful with his wife, Fanny. As the governess and the Duc find themselves falling in love, Fanny’s jealousy intensifies and she makes plans to have Lucille removed from her position. Lucille, though, will not go without a fight. As a Bonapartist who was opposed to the return of the monarchy, she longs to see Louis Philippe toppled from his throne – and the events which occur during Lucille’s stay in the du Boccage household play a part in the eventual revolution.

Forget-Me-Not is an unusual story – part romance, part suspense, part historical fiction and part crime. Again, the main character is not very likeable, but she’s obviously not supposed to be. I found her intriguing as I was never really sure exactly what she wanted or what she was trying to do. I’m not very familiar with the period of French history covered in the novel so I didn’t fully understand how Lucille’s actions affected the monarchy, but that didn’t matter too much as the real focus of the story is on her relationship with Fanny and her husband.

Of these two books, I definitely preferred Forget-Me-Not. I’m not sure whether I would want to read any more of Joseph Shearing’s work, though – if I do read more novels by this author, I think I’ll stick to the ones that were published under the name of Marjorie Bowen or George R Preedy (I loved one of her Preedy books, The Poisoners).

Have you ever found that where an author has used pseudonyms, you’ve liked the books written under one name more than another?

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13 thoughts on “Two books by Marjorie Bowen…or should that be Joseph Shearing?

  1. realthog says:

    Interesting. I read her Shearing novel Album Leaf (1933; vt The Spider in the Cup) and found it pretty heavy going. I was smug (emsmuggened?) to discover, though, that I was apparently the only person Goodreads to have read it!

    • Helen says:

      I’m not in any hurry to read more of the Shearing novels, but the title of the one you read does sound intriguing. It’s a shame the book itself wasn’t better.

    • Helen says:

      Yes, I think so, as the books I’ve read by her under the Marjorie Bowen name were very different (and much better). I agree that these covers are very off-putting – and not representative of the books at all.

  2. Charlie says:

    Fascinating. I’d not heard of Bowen before. I think I’d be interested in trying Forget-Me-Not but from what you’ve said of her work as Preedy I’d probably put another pseudonym first. I don’t think I’ve read many authors under more than one name, but I’ve been drawn more to the pseudonym on occasion than the author’s real name, especially where the pseudonym is for historical and the author’s real name for contemporary.

    • Helen says:

      I don’t think I’ve read many authors under more than one name either – Jean Plaidy/Victoria Holt/Philippa Carr is the only one that comes instantly to mind. I definitely think Marjorie Bowen is worth trying, but the two books I’ve reviewed here are not the best place to start.

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